- Japanese: 雅楽 (gagaku)
Gagaku is the classical court music of the Japanese Imperial court. It derives significantly from continental court music, and was adopted by the Japanese court as the official genre or style of court music in 701.
Gagaku is divided into two sub-categories, representing the two main threads of continental influence. Musical elements derived from Chinese influence are known as Tôgaku (Tang music) and those from Korean influence komagaku (Koryo music). With the influence and incorporation of native Japanese elements, gagaku is said to have developed into its mature form in the 10th century. Though it is unclear if the Chinese yǎyuè (ritual music) maintained its ritual associations in Japan, in China this music had profoundly significant ritual meaning; distinct from music played for entertainment at court banquets, yǎyuè was performed as part of the ceremonies of an Emperor's ritual sacrifices to Heaven, or to the Imperial ancestors, and had to be performed in precisely correct tones, as a part of maintaining the proper cosmic order. Confucian court advisors worked hard to maintain the court's instruments in the correct tuning, and at various times in history debated as to the correct tones.
Instruments used in gagaku include the biwa (a stringed lute), a variety of flutes including the shô, ryûteki, hichiriki, and komabue, and a variety of drums, including the kakko and tsuridaiko, as well as bells, gongs, and occasionally koto. Performances are often accompanied by masked & costumed dances.
Gagaku as performed by musicians of the Imperial Household Agency was named an Intangible Important Cultural Property in 1955, and in 2009 was named an important Intangible Cultural Heritage by UNESCO.
- Gallery labels, Metropolitan Museum of Art.
- Gallery labels, Tokyo Imperial Palace.
- Written with the same characters as gagaku: 雅楽.
- Christian Meyer, "Negotiating Rites in Imperial China: The Case of the Northern Song Court Ritual Debates from 1034 to 1093," in Ute Husken and Frank Neubert (eds.), Negotiating Rites, Oxford University Press (2011), 101.